Cadie 

Jessica

Maria

Maria Mavropoulou (1989) is a visual artist using mainly photography while her work expands to new forms of photographic images, such as VR and screen-captured images, GAN and AI-generated images. Her work and research focus on the new realities created by the connectible devices and the contradictions between the physical and the virtual spaces that we inhabit, addressing issues of technological mediation. 

Maria Mavropoulou

Shu Lea

AES+F

Oğuz Emre

Massimo

Angelo

Lyndsey

Tatsuru

Tatsuru Arai is a Japanese composer, sound-graphic programmer, and creator of Gesamtkunstwerk.

Tatsuru Arai

Riitta

Igor

Klsr

Klsr is an innovative audio-visual artist. His artistic vision seamlessly intertwines audio compositions with visually compelling works, delving into the exploration of light and textures through the integration of real-time processes.

Darya

Andrea

Andrea Meregalli (1977) is an Italian architect, designer, and artist. His research lies between irony and paradox in visual communication and has its roots in technical and scientific studies. 

Andrea Meregalli

Kaikhan

Anna 

Eleni

Kirill Makarov & Ksenia Kononenko

Jill

Laura

Sofya

Pavel

​​Dmitry

Farid

Natalia

Natalia Fedorova is an artist, curator, researcher, and educator in the field of contemporary art and literature. 

Natalia Fedorova

Othmane

Massimo Magee is an artist, writer, and musician. He creates avant-garde digital art that challenges traditional perceptions and representations by interweaving sound and visuals into a single file. 

TAEX Artist: Massimo Magee

MAOTIK

Alex

Krista

Francesco

Francesco D’Isa is an Italian philosopher, lecturer and artist. 

Francesco D’Isa

Funa

Joshua

Joey

Helin

Helin Sahin (1992, Turkey) is a Kurdish-American visual artist. Her work spans multiple platforms — 3D modelling, digital sculpting, and video. 

Helin Sahin

Aziza

Aziza Kadyri is a multidisciplinary artist focusing on extended reality (AR/VR), live/digital performance, experimental costume, and textiles. 

Aziza Kadyri

Sasha Stiles

Sasha Stiles is a first-generation Kalmyk-American poet, language artist, and AI researcher known for her pioneering experiments with generative literature and blockchain poetics. 

Alper

Kevin 

Orkhan

Orkhan Mammadov is an internationally recognised new media artist whose practice explores the intersections of art, science, and technology. Renowned for his pioneering work with artificial intelligence and generative art, Mammadov’s installations and data-driven projects transform the collective memory into immersive aesthetic experiences.

Educated in computer science, visual communication design, and fine arts, Mammadov cultivated an interdisciplinary worldview from the outset. A self-taught graphic and web designer by the age of ten, he began competing on the international stage as a teenager, rapidly expanding his skill set to encompass product, motion, and interactive design, as well as photography and video. His early fascination with merging creativity and computation laid the foundation for the boundary-pushing art he would later develop.

At eighteen, Mammadov embarked on a professional career as a web and graphic designer, rising through the ranks of design studios and agencies to assume roles as art and creative director. By twenty-three, he debuted his first public art installation, which signalled his shift into contemporary art. His earliest works centred on audiovisual media and interactive installations, eventually evolving to focus on the aesthetic possibilities of machine learning and AI. This transition culminated in representing Azerbaijan at the Venice Biennale in 2019.

Over more than a decade of practice, Mammadov has mounted upwards of twelve solo exhibitions and participated in over twenty group shows, garnering multiple international art and technology awards. Like his influences who probe the nature of post-human and machine intelligence, Mammadov harnesses cutting-edge algorithms and computational processes to propose new cultural narratives and visual vocabularies.

From his early, self-driven experiments to generative AI installations and large-scale immersive environments, Mammadov continues to expand the possibilities of art in the digital age. His forward-thinking projects invite audiences to see technology not merely as a tool, but as a means of reimagining how we relate to culture, heritage, and shared human experiences. Through each data sculpture, interactive piece, and site-specific installation, Mammadov redefines the artist’s role in an era shaped by machine intelligence—in which creativity and computation converge to envision alternative realities.

