Alper

Photo courtesy: N°OW’HERE”

Digital art ideas start from N°OW’HERE”. TAEX co-hosted a private event and a panel talk with Art Genève and private members club N°OW’HERE”.

A special event in Geneva co-organised by N°OW'HERE", TAEX and Art Genève on September 24th was beyond a doubt a night to remember. A full house of digital art lovers gathered to attend a panel discussion you heard the latest inputs by the prominent art world professionals: collector Pierre Sigg, the Museum of Art &amp; History of Geneva’s curator Samuel Gross, and Stefanie De Regel, Head of Development at TAEX moderated by Santiago Rumney-Guggenheim, Director of Arts and Culture at N°OW’HERE”, and to continued to exchange ideas over a cocktail. The support of Art Genève ensured the high-level of our event. 
<img src="https://cdn72109500.ahacdn.me/news/upload-532049280.jpg" alt="TAEX Head of Development Stefanie De Regel giving an introductory speech" width="1512" height="1010">
TAEX Head of Development Stefanie De Regel giving a speech
The panel talk “Redefining Value: The Intersection of Digital and Traditional Art” showed a panorama of accelerating ideas and opened-up the process of the pioneering thinking that will become tomorrow’s reality. The principal goal of the discussion was to provide an extensive perspective of the contemporary digital art market, whether they are art platforms, museums, art foundations or curators. The welcoming space of N°OW’HERE”, created as a space of exploration for the tech elite, leaders in the fields of art, fashion, entertainment, and business was boosting the creative and entrepreneurial networking on a higher scale.
Visionary strategies are impossible without talents. That’s why TAEX and N°OW’HERE” presented a selection of digital artworks by pioneering digital artists at N°OW’HERE” Club—a historic mansion dating back to 1875, renovated by the Italian firm Galante-Menichini. Right by the entrance at the reception area we presented two works by MAOTIK—MATERIA: Liquid and MATERIA: Gas—that reflect on the eternal and the natural. Continuing to ponder the nature we showed Neogene by  Alper Derinboğaz, who invites the audience to rethink our perception of time by contemplating the transformation of one of the oldest metals on Earth, bismuth. 
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Moving further to the Satoshi room, TAEX offered a moment of a digital escape created by Krista Kim. Her Continuum Collection is inspired by Buddhist philosophy and turns digital technologies at the service of mental health and mindfulness. Further to the next room, TAEX displayed the HOLO Collection by Oğuz Emre Bal, whose digital droplets represent a raw material of urban elements and an architectural equivalent to a cell in biology. 
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At the Conference room, where a panel talk took place, TAEX showed a brand new artwork SUPERNATURAL by MAOTIK, a generative art piece which allows the viewers to enter the mind of an artist at the precise moment — when the artist’s entire self is captured under the spell of creative forces. In the same room, the Face of Universe series by Tatsuru Arai was presented as well. It focuses on the physical nature of the Universe. Particularly interested in geometric structures and perception of sound, Arai offers a fundamental pillar that allows us to understand the true nature of the universe.
Please explore the integrity of TAEX’s collections of curated digital art from world-renowned artists in our <a href="/drops">Collection section</a>.

How it went: N°OW’HERE”, TAEX and Art Genève special event in Geneva

Refik Anadol, In Search of Vera Molnár, 2024

We encounter algorithmic art much more often than we may think. Ornamentation, kinetic art and digital generative art share common structures, grounds, and concepts. More about them—in our new column.

When we hear about algorithms today, the first things that come to mind are AI and machine learning, social network feeds and advertisements. In one way or another everything that has to do with algorithms is strongly associated with computers. So would it be truthful to say that algorithmic art is always related to computers? Spoiler—not at all. Algorithmic art has a way longer history than we could have imagined.
Algorithms lie in the core of calculation, regardless if they’re performed by a human or a machine. Being a series of steps they lead toward the resolving of a problem or getting a result. So what makes an artwork an algorithmic one is, in fact, the principle of calculated evolution and/or repetition. Of course, we can always dig deeper as Johanna Drucker did by writing that “the algorithmic condition of computationally generated work is merely the case that demonstrates a general condition. Works of art, be they literature, music, visual, or performance pieces, are instances of rule sets. They manifest the possibilities of the conditions for their production.”
Whether it is the linear perspective, Golden Ratio or a Fibonacci sequence that underlines an artwork, it is based on algorithms. So each time you see ornaments of the Islamic Golden Age, Renaissance frescoes or visionary architecture graphics by Piranesi or Escher—all of it is indeed algorithmic per se.
<img src="https://cdn72109500.ahacdn.me/news/upload-470446613.jpeg" alt="" width="1024" height="683"> M.C. Escher, Day and Night, 1938
It appears that algorithms do not always have to be executed by artists themselves and could be redirected to the audience. Christiane Paul pointed out that the “instruction- and rule-based practice” was taking an important place in various art movements including Dada, Fluxus and conceptualism as they had focused on the conceptual and participatory side of the artworks. For instance “score events” by Yoko Ono from her Grapefruit book 1964, or Marina Abramović Method cards (2022) by Marina Abramović are in fact algorithms designed for the audience to perform.
The major moment when algorithmic art entered the world of digital art (and one of the first pieces of digital art itself) was in the 1960s when such pioneering artists as Vera Molnár, Frieder Nake and Manfred Mohr started to do digital drawings via plotters, based on mathematical functions. This new approach led in 1965 to the two first-ever exhibitions of “computer art”, as it was called at that time. Under the umbrella of digital art, both algorithmic and generative aspects were reunited. Being one of the first generative artists, Vera Molnár brought algorithms throughout her eight-decade career and reached the first major digital auctions.
Meanwhile, kinetic and optical art focused on the contemplation of the movements and light was emerging. Based on mechanisms or computer software a significant part of kinetic art is algorithmic as well.
<img src="https://cdn72109500.ahacdn.me/news/upload-2679330610.jpeg" alt="Victor Vasarely, Feny, 1973, image: artblart.com" width="1107" height="1103">Victor Vasarely, Feny, 1973, image: artblart.com
Within the rapid evolution of computer software and technologies and the AI boom starting from the 1980s to this day, algorithmic art has become more immersed in digital art. An art project aurèce vettier by Paul Mouginot who creates graphics, sculptures and installations using algorithms as a source of “raw material expanding conceptual possibilities and complementing the initial knowledge of art history”. Aurèce vettier explores the borders between the physical and virtual worlds.
<img src="https://cdn72109500.ahacdn.me/news/upload-2855706148.jpg" alt="AD.VM.AV.IA, aurèce vettier x Vera Molnár, photo: Marc Domage: " width="1089" height="553"> AD.VM.AV.IA, aurèce vettier x Vera Molnár, photo: Marc Domage
Refik Anadol, known worldwide for his site-specific three-dimensional data sculptures and digital paintings, uses machine learning algorithms to create abstract artworks. This year he opened Dataland—the first museum focused entirely on AI art. Krista Kim creates abstract digital algorithms as well, but, in her case, she reconsiders the modern state of this tool in everyday life. “Algorithms are everywhere, and they are controlling what we see through social media platforms, "sharing" and "liking" has created a narcissistic and egocentric society that is lacking in humanity and authenticity.  It is our very "connectedness" on social media platforms that is diminishing real human connection”, she wrote ten years ago in her Techism manifesto. By turning this tool upside down, Krista turns all the disadvantages of algorithms into healing artworks.
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Alper Derinboğaz, an architect and digital artist used algorithmic modelling tools to process geological data for his project Neogene. The curiosity towards movement continues to capture the minds of digital artists, following their kinetic predecessors, including MAOTIK and IX Shells. Known as well as Itzel Yard, IX Shells created an educational group Creative Code Art, focused on algorithmic and generative art, using her background in Architectural Technology and Computer Science.
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Whether it is a captivating pattern, a sequence of movements or the funding core of generative art, algorithms play a significant role in contemporary art, both traditional and digital. With the evolving technology in art, algorithms are taking more room in the global art sphere. The question is— where will they take the art community?

Algorithmic art: from graphical and kinetic to digital

Neogene Collection by Alper Derinboğaz

Music and visual arts have been merging much longer than we may think.

Music in contemporary digital art

<h4 dir="ltr">Music and visual arts have been merging much longer than we may think. Throughout the centuries, one observes an ongoing interest of artists, composers, writers and philosophers in combining the aesthetics of sound, light, and colours into a unified simultaneous effect. The human ability of synesthesia to associate certain letters, numbers, or sounds with a certain colour attracted various theoreticians, poets, and artists. From Gesamtkunstwerk by Wagner to the theories of Kandinsky, creators never stopped to reflect on the potential of synergy of the visual and the acoustic.</h4>
 
Music as well as visual art faces the challenges of the computer-powered era—materiality, agency, and authorship. As fairly pointed out in Music and Digital Media edited by Georgina Brown (UCL Press, 2022), when we’re speaking about digital music, we have “to consider the materialities of code, of electromagnetic waves, indeed of sound itself: entities that stretch or defy orthodox definitions of an ‘object’”. As noted in the same book, reviewing the research of the last 30 years, digital music’s materialities are “additionally complex in being inherently multiple, built of many communicating and articulated layers of hardware and software” and “digital and analogue devices and processes are invariably combined and mutually compounding”.
 
 
<img src="/storage/news-image/cpc9kkirprek5an8pk50.png" alt="Pipe Dream by Massimo Magee" width="668" height="455">
<pre dir="ltr">Pipe Dream by Massimo Magee </pre>
When an artist happens to be a musician themselves, it provides a unique opportunity to individually create both visual and musical aspects of the artwork. That’s the case for Massimo Magee, an experimental musician and abstract artist who <a href="/drop/32">combines</a> his discoveries into audiovisual digital art. Otherwise, the requirement for the musical dimension leads to collaborations with composers and sound artists. Thus, Alper Derinboğaz for his Neogene collection <a href="/drop/35/neogene">collaborated</a> with Xtopia studio which specialises in immersive sound environments. Krista Kim for her Continuum project <a href="/drop/39">invited</a> long-time guitarist of Smashing Pumpkins Jeff Schroeder to write and perform a 20-minute healing frequency composition. 
 
<img src="/storage/news-image/cpc9ll2rprek5an8pk5g.png" width="663" height="346">
<pre dir="ltr">Continuum Collection v.6 by Krista Kim</pre>
 
No surprise that musicians who are open to such collaborations are observing and testing the potential of interdisciplinary art. As their fellow visual artists, this row of composers and music performers is heading towards new theoretical discoveries by taking risks and as a result pioneering the future of art. The key question is that visual and music aspects of digital art will remain on the same level of its aesthetic and technological development.

Neogene by Alper Derinboğaz

TAEX Presents Neogene by Alper Derinboğaz at the 3rd edition of NFT Paris

<h3 dir="ltr">TAEX joins the 3rd edition of NFT Paris to present the Neogene collection by award-winning architect and artist Alper Derinboğaz.</h3>
 
Neogene is a collection of works by the renowned architect and artist Alper Derinboğaz. The series consists of 3D artefacts, generated using Data Morphosis methodology, based on simulations of geological formations from prehistoric times. The collection aims to transfer the geological time markers of our planet into a digital archive, as the continuity of our existence is more and more debatable with the emergence of AI technologies and environmental threats. Each artefact has a unique pairing of generated 3D forms and earth-based material qualities. This collection reminds us that humankind exists on the Earth just for a singular moment of its global history. However, our limited perception of temporality poses a significant threat to human existence, within the realms of architectural and geographical issues. The collection is curated by Dasha Shkel.
 
The first release of the collection features the White Mass series, re-morphed from bismuth — a mineral that has been present since the formation of the Earth and changes with time. While observing the object’s alluring transformation, we witness the entire human life on Earth only in a single frame of animation. This material is a unique visual spectacle exhibiting a spiral, stair-stepped structure, deceiving the observer’s time perception. By the end of each loop, the time passed corresponds to 19 quintillion years. 
 
Alper Derinboğaz is an architect and artist known for his focus on seeking communal relationships between the environment and spatial elements through scientific strategies. His projects range from cultural institutions, including the upcoming Istanbul City Museum, to architectural installations and masterplans. As a Fulbright Scholar and winner of dozens of prestigious awards, including the Europe 40 under 40 by The European Centre for Architecture Art Design and Urban Studies, Alper showcased his research at notable events like the Venice Architecture Biennale. 
 
Explore the Neogene collection online and visit our booth G at NFT Paris from 23rd to 24th of February 2024.
 
<h4 dir="ltr">General Admission</h4>
 
February 23-24, 2024
 
<h4 dir="ltr">Location</h4>
 
Grand Palais Éphémère, Champ de Mars,
2 Pl. Joffre, 75007 Paris
 
For any inquiries please contact:
TAEX Head of Development 
Stefanie De Regel 
<a href="mailto:stefanie@taex.com">stefanie@taex.com</a>

TAEX Presents Neogene by Alper Derinboğaz at the 3rd Edition of NFT Paris

Tatsuru Arai, "FaceOfUniverse" Korea2

Digital art market news, blockchain releases, TAEX collections—you name it. Highlights of August in our new monthly digest.

TAEX Digest: August 2024

Please note that TAEX launched a special column and newsletter about digital highlights of the month. Please <a href="https://forms.sendpulse.com/14ae90e13c/">subscribe</a> to learn first the news selected by TAEX. 
 
<h3 dir="ltr">World News</h3>
 
<h4 dir="ltr">Investors halting stablecoin accumulation caused Bitcoin to become unstable.</h4>
 
As major institutions have stopped accumulating stablecoins, Bitcoin price <a href="https://cointelegraph.com/news/bitcoin-price-drops-below-59k-institutional-stablecoin-pause">fell below</a> $60,000 in the first two weeks of August, with its low point being just under $54,000. It has since been unstable, but close to the psychologically important price of $60,000. 
 
<h4 dir="ltr">Artists brought a lawsuit against SEC regarding security issues of NFTs</h4>
 
Two American artists <a href="https://cointelegraph.com/news/artists-sue-sec-over-confusing-nft-security-status">reportedly have sued</a> Securities and Exchange Commision (SEC), a US securities regulator, over a confusing treatment of NFTs. Filmmaker and law professor Brian Frye and songwriter Jonathon Mann filed a subpoena against ‘unlawful enforcement actions’ by SEC towards their NFT projects.
 
The attorneys representing Mann and Frye based their strategy on the example of secondary sales of Taylor Swift concerts. They argue that neither concert tickets, nor NFT art projects should be considered as securities or collectibles just by the fact of being NFTs. 
 
As they stated, “the SEC’s approach threatens the livelihoods of artists and creators that are simply experimenting with a novel, fast-growing technology or have chosen it as their preferred medium”.
 
<h4 dir="ltr">Scotland to open a first ‘fully digital museum’</h4>
 
Scottish Historic Building Trust just <a href="https://museumsandheritage.com/advisor/posts/objects-optional-designs-revealed-for-scotlands-first-fully-digital-museum">unveiled</a> their plans to transform a Georgian building in Edinburgh to Scotland's first ‘fully digital museum’. As stressed by the Trust's director Mr Gallagher, a future museum will incarnate a ‘world-leading approach’ to share local history through a lens of ‘Leith and Scotland outstanding digital creative sector’.
 
The concept of eight digital exhibition halls is currently presented at Leith Custom House. The creators of the venue aim to combine the civic museum structure with digital art innovations.
 
<h4 dir="ltr">Sony launches a new blockchain platform </h4>
 
Sony Block Solution Labs <a href="https://nftplazas.com/soneium-blockchain/amp/">announced </a>a release of the beta version of a new blockchain platform Soneium. Its goal is to give room to everyone to create crypto projects by providing necessary up-to-date tools and creating a community of innovators and collaborators. Soneium seeks to overcome ‘social, economic, and regional constraints, allowing every idea to flourish’.
 
By creating a public blockchain platform Sony is reassuring the global spread of Web3 technologies and the transformation of the current agenda.
 
<h4 dir="ltr">Cryptopunk and Beeple at Sotheby’s Digital Art Day</h4>
 
The end of August was marked by <a href="https://blockchainreporter.net/cryptopunks-leads-weekly-nft-sales-with-7-19m/">Sotheby’s Digital Art Day</a> featuring NFTs by Cryptopunk, Beeple, Vera Molnar and Tyler Hobbs. The auction was running for an entire week from August 15 to 22. This time, the sales were specifically focused on pioneering women digital artists. 
 
Among the lots are ‘CryptoPunk #491 created by Larva Labs (est. of $ 70 000 - 100 000) and ‘Mother of Evolution’ by Beeple in collaboration with Madonna (est. of $ 70 000 - 100 000)
 
<h3 dir="ltr">TAEX News</h3>
 
Last but not least, TAEX ends summer with its own diverse agenda :
 
<h4 dir="ltr">Scoletta dell’Arte all’infinito, TAEX’s Finissage of the Scoletta dell’Arte: Digital Reform to be held on September 2 in Venice</h4>
 
On September 2, our Venice exhibition will be closed to the general public, as we will be hosting our Finissage, Scoletta dell’Arte all’infinito. Head of Development, Stefanie de Regel, will be sharing our upcoming plans, curator Antonio Geusa will present his special guide, while Andrea Meregalli will help the guests in the exploration of his AI-powered installation. More details via <a href="/news/47/scoletta-dell-arte-all-infinito">the link</a>!
 
<h4 dir="ltr">TAEX joins Contemporary Istanbul 2024 gallery lineup</h4>
 
We are delighted to join the 19th edition of Contemporary Istanbul this October, presenting artworks by Krista Kim, MAOTIK, and Alper Derinboğaz. Stay tuned for more details!
 
<h4 dir="ltr">How has digital art been represented at the Venice Biennale?</h4>
 
Read a comprehensive <a href="/news/46/digital-path-of-venice-biennale">article</a> by our Editor Anastasiia Spirenkova on the half-century-long digital journey of the Biennale and its complicated relationship with the medium. 
 
<h4 dir="ltr">Interview: Francesco D’Isa on AI art</h4>
 
Renowned theorist, philosopher and artist of the Scoletta dell’Arte: Digital Reform exhibition Francesco D’Isa <a href="/news/48/francesco-d-isa-on-ai-art">spoke at length</a> about the integration of AI into the arts. 
 
<h4 dir="ltr">New Collection: Natively Digital</h4>
 
Following our open call, we present <a href="/drop/44">a group collection</a> of the winners — artists with a Natively Digital mindset — Maria Mavropoulou and Tatsuru Arai. Just as digital natives seamlessly navigate the ever-evolving landscape of technology, we sought out artists who harness this mindset to push the boundaries of artistic innovation. The collection is curated by Daniel Peace and is available for purchase via the link.
<h4> Not subscribed to the TAEX Newsletter yet? Click <a href="https://forms.sendpulse.com/14ae90e13c/">the link</a> and stay in the loop of current news and upcoming collections!</h4>

At the peak of the Contemporary Istanbul art fair TAEX is thrilled to present an award-winning architect and artist Alper Derinboğaz, whose drop curated by Dasha Shkel will be featured on the platform in early October.

TAEX presents Neogene by Alper Derinboğaz at the 18th Contemporary Istanbul

September 23rd
İstanbul
 
<h3 dir="ltr">At the peak of the Contemporary Istanbul art fair TAEX is thrilled to present an award-winning architect and artist Alper Derinboğaz, whose drop curated by Dasha Shkel will be featured on the platform in early October.</h3>
 
In the Neogene Collection Derinboğaz continues his research by compiling geographical data through generative AI and transforming it by algorithmic modelling tools. The NFT drop consists of 3D generated  artefacts based on simulations of geological formations from the distant past. The ‘Data Morphosis ’methodology allows the artist to transfer ancient layers of our planet into the digital realm and to reconstruct the earth's crust in blockchain.
 
Each artefact of the Neogene Collection possesses a unique pairing of generated 3D-forms and earth-based material qualities. TAEX’s preview of the collection features the White Mass series, named after the etymological starting point of the word “bismuth” — a metal that has been present since the formation of the Earth. Bismuth has the longest known alpha decay half-life, implying that only a minuscule fraction, approximately less than one-billionth, of the original bismuth has transformed through radioactive decay since the formation of the Planet Earth, putting the time-scale of human existence into perspective.
 
The realms of architectural and geographical issues have been the core of Alper Derinboğaz’s work as an artist and architect for decades. He explores the relationships between the environment and spatial elements through scientific strategies. Derinboğaz’s projects range from cultural institutions, like the eagerly awaited Istanbul City Museum, to architectural installations and masterplans. 
 
А Fulbright Scholar, selected architect at ‘Europe 40 Under 40’ by the European centre, recognized by Arkitera and Achdaily, the winner of over twenty awards, including Green Good Design, The Plan, Architizer A+A, World Architecture Awards, and the German Design Award, Derinboğaz had showcased his research in notable events like the Venice Architecture Biennale. 
 
<a title="TAEX Curator Dasha Shkel" href="/curator/4" target="_blank" rel="noopener">Dasha Shkel</a> is a TAEX curator and interdisciplinary artist based in Istanbul, Sofia, and Berlin. She explores the many relationships between technology, culture, and society by using various methods from immersive socio-cultural experiments, immersive practices to live audio-visual performances.
 
Explore the Neogene Collection and visit our booth at Contemporary Istanbul from September 27th till October 1st. 
 
<h4 dir="ltr">Opening hours</h4>
 
At First Sight
26 September 2023, 4 pm - 8 pm
 
VIP Preview
27 September 2023, 11 аm - 3 pm
 
General Admission
27 September 2023, 3 pm - 8 pm
28 September - 1 October, 11 аm - 8pm
(Please note that the fair will end at 7 pm on the last day)
 
<h4 dir="ltr">Location</h4>
 
<a title="Google Maps Directions to Tersane Istanbul" href="https://maps.app.goo.gl/fwdSt73CMsfSYbpB6" target="_blank" rel="noopener">Tersane Istanbul</a>, Haliç Camii Kebir Mahallesi Taşkızak, Tersane Cd. No:5, 34440 Beyoğlu, Istanbul
 
For any inquiries please contact TAEX Head of Development Stefanie De Regel <a title="Email" href="mailto:stefanie@taex.com?subject=Contemporary%20Istanbul%202023%20Inquiry">stefanie@taex.com</a>

On the 23-24th of February TAEX joined an inspiring crowd at the 3rd edition of NFT Paris to present a new collection Neogene by world-renowned architect Alper Derinboğaz featured on our platform.

How it went: TAEX at NFT Paris 2024

<h3 dir="ltr">On the 23-24th of February TAEX joined an inspiring crowd at the 3rd edition of NFT Paris to present a new collection Neogene by world-renowned architect Alper Derinboğaz featured on our platform. Throughout two rainy days in Paris digital art collectors and leaders of web3 were exchanging about the future of industry at Grand Palais Éphémère, right in front of the Eiffel Tower.</h3>
 
TAEX proudly presented <a title="Neogene Collection" href="/drop/35/neogene" target="_blank" rel="noopener">Neogene</a> — the first digital art collection by Alper Derinboğaz. A globally-thinking architect, he expanded his interdisciplinary approach towards digital art using the tools of big data analysis and artificial intelligence. As someone who had been using technologies as the founding base for the future constructions of his architectural projects, Alper perfectly anticipates the future merge of ideas, art and technology.
 
<img src="/storage/news-image/cnsqo0arprevf54j1kfg.png" alt="" width="701" height="1052">
 
<img src="/storage/news-image/cnsqoj2rprevf54j1kg0.png" alt="" width="698" height="465">
 
Dedicated to one of the oldest metals on Earth — bismuth — Neogene shows its geological transformation throughout the existence of our planet. In a couple of minutes we witness the dynamics of bismuth over tens of thousands of years. Ten unique 3D artefacts were presented at the TAEX booth with black mirrors that were reflecting the artwork and inviting the visitors to contemplate the flux of time inside a huge temporary building—Grand Palais Éphémère.
 
<img src="/storage/news-image/cnsqmd2rprevf54j1kf0.png" alt="" width="705" height="470">
 
TAEX together with Makerspace hosted a Collectors Club dinner in order to share ideas and get fully ready for the NFT Paris fair, uniting art collectors curious about the perspectives of digital art.
 
<img src="/storage/news-image/cnsqov2rprevf54j1kgg.png" alt="" width="698" height="465">
 
We would like to thank our partners MakersPlace for the outstanding collaboration!
 
<h4 dir="ltr">Please enjoy the full event image archive <a href="https://drive.google.com/drive/folders/1b5kXvfrUAkbyDSY3TapzyBcZHGaaUmBj?usp=share_link" target="_blank" rel="noopener">here</a>. Note, that any reproduction of the photographs must be credited.</h4>

TAEX booth at NFT Paris 2024

"Architect Alper Derinboğaz has used artificial intelligence and research data to create Neogene, a series of 3D artworks created to resemble the mineral bismuth."

Dezeen on the Neogene Collection by Alper Derinboğaz

<h3>"Architect Alper Derinboğaz has used artificial intelligence and research data to create Neogene, a series of 3D artworks created to resemble the mineral bismuth."</h3>
 
We are excited to share with you this article <a href="https://www.dezeen.com/2024/03/27/alper-derinbogaz-neogene-3d-artefacts-taex/" target="_blank" rel="noopener">on Dezeen</a>, the world’s leading design and architecture magazine, dedicated to TAEX’s presentation of the Neogene collection at <a href="/news/22/how-it-went-nft-paris-2024" target="_blank" rel="noopener">NFT Paris 2024</a>.
 
The piece features an exclusive comment by our COO Vlada One, “The synergy fostered by this partnership propels us towards visibility and transparency in the inner mechanisms of architectural practices, especially in the nuanced integration of data, like in Neogene.”
 
Read full article via <a href="https://www.dezeen.com/2024/03/27/alper-derinbogaz-neogene-3d-artefacts-taex/" target="_blank" rel="noopener">the link</a> and explore the Neogene collection <a href="/drop/35/neogene" target="_blank" rel="noopener">on TAEX</a>.

Alper Derinboğaz

Neogene

TAEX is an interdisciplinary platform for artists, curators, and collectors to discuss, showcase, and sell crypto art.

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White Mass_2A1

In The Neogene Collection Alper Derinboğaz continues his research exploring 3D generation techniques by compiling geographical data through generative AI and transforming it using algorithmic modelling tools.

White Mass_2A4

In The Neogene Collection Alper Derinboğaz continues his research exploring 3D generation techniques by compiling geographical data through generative AI and transforming it using algorithmic modelling tools. 